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https://w.atwiki.jp/220yearsafterlove/pages/46.html
ていうかそろそろ俺もネタ抜きに本気で彼女欲しいから『出会い系サイト』使うわ。そういや俺昔『出会い系サイトのサクラ』やってたなあー・・・。 http //20yearsafterlove.blog111.fc2.com/blog-entry-299.html
https://w.atwiki.jp/art-school/pages/94.html
Ryota Matsumoto (松本良多) is a famous Philosopher, Artist, Japanese Author, and Instagram star from Japan. He is the founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in Tokyo and New York. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercials. He is a renowned architect and one of the most prominent theorists of postdigital art in Japan and the United States. He has served as the MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a man with a proactive approach and has painted the canvas of his dream with the colors of his consistent and persistent efforts. Bеіng passionate аbоut his work аnd аlwауѕ wanted tо carve а niche fоr himself іn life, wаѕ thе spark thаt ignited him to pursue his dreams and passion. We will walk you through all about him. BIOGRAPHY/Wiki He hails from Tokyo. He is 49 years old as of 2021. He is American by Nationality. His Zodiac sign is Pisces. His date of birth is March 9th 1972. He is a follower of Atheists. He attended Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in the early ’90s. He has a degree Master of Architecture from the University of Pennsylvania, which he received in 2007. He has won various laurels for his amazing work. He is the recipient of Visual Art Open First Prize, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and many more. He specializes in building a positive brand image with the help of social media campaigns and digital marketing strategies. He collaborates with various renowned influencers including a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson of Coil, Cesar Pelli, and MIT Media Lab before establishing his office. He has worked on high-profile projects including Kyushu University Ito Campus masterplan (2003-2005), Shinjuku redevelopment project in Tokyo (2009-2012), Bach Mai hospital in Hanoi (2000), and Qingdao mixed-use development in China (2011). He strongly believes “One of the best ways to grow a business and garner more success is by growing your own personal brand” Several of his paintings have been exhibited in various art galleries. Several articles have been published about him. He shares various quotes and articles to inspire the youth and helping them to build a better future. His Instagram is full of his paintings. He has helped various artists grow by polishing their talent and help them find the correct lane. He is passionate about making dreams come true and hopes to inspire a lot of passionate minds Physical Appearance He is Smart and Cute. He is hugely popular among the youth. He is approximately 175 cm tall and weighs around 70Kg. He has an Average Build. He has black hair and both of his eyes have different colors Left Grey Right Dark Green. Family Religion Not Much is known about his family and his personal Relationship. Facts His Instagram id is ryt.matsumoto His Instagram has 1K+ followers. He is a very talented person who enjoys Painting, Sculpturing, and Writing music in his leisure time. His pursuit for excellence has led him down various avenues His magnetic personality has gained him friends across the globe and the growing respect of ears in the industry. He is a Social media Influencer. He loves to explore new places He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). His work, writings, and interviews has been published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine and many more
https://w.atwiki.jp/touhoukashi/pages/3174.html
【登録タグ A NIRVANA ZYTOKINE aki 幻想のホワイトトラベラー 曲 魔法の笠地蔵】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/knowledge_library/pages/83.html
apacheインストール apache概要 httpd.conf動作環境の設定(Global Enviroment) Mainサーバに関する主要な設定 ディレクトリアクセスに関する設定 ログに関する設定 エイリアスの設定 アクセス制御に関する設定 apacheインストール yum -y install httpd mod_ssl apache概要 Service Name httpd Protocol and port 80/TCP , 443/TCP SELinux Module apache 2.1.2 Deamon Program /usr/sbin/httpd Configuration files /etc/httpd/conf/httpd.conf, /etc/httpd/conf.d/*.conf Pid file /var/run/httpd.pid Lock file /var/lock/subsys/httpd Control script /etc/init.d/httpd Script parameters start stop restart condrestart reload status fullstatas graceful help configtest Startup 2 3 4 5/85 15 httpd.conf 動作環境の設定(Global Enviroment) ServerTokens OS #SERVERレスポンスヘッダ ServerRoot "/etc/httpd" #設定ファイルのパス PidFile run/httpd.pid #プロセスIDファイルの指定 TimeOut 60 #タイムアウト時間 rest(GET,POST,PUT,DELETE) KeepAlive Off #1回のTCPセッションで、複数のHTTPリクエストを処理させる MaxKeepAliveRequests 100 #1回のTCPセッションで受け付ける事の出来るリクエスト数 KeepAliveTimeout 15 #TCPセッションを切断せずに次のHTTPリクエストを待つ時間 IfModule prefork.c #MPM prefockの設定 StartServers 8 MinSpareServers 5 MaxSpareServers 20 ServerLimit 256 MaxClients 256 MaxRequestsPerChild 4000 /IfModule Listen 80 #待機するアドレス/ポートの設定 LoadModule #モジュールの使用に関する設定 Include conf.d/*.conf #他ファイルの読み込みに関する設定 #ExtendedStatus On #ステータス情報の使用の設定 User apache #プロセス所有者 Group apache Mainサーバに関する主要な設定 ServerAdmin root@localhost #サーバ管理者の指定 #ServerName www.example.com 80 #サーバ名の指定 UseCanonicalName Off #サーバ名の指定 Off/On/Dns DocumentRoot "/var/www/html" #ドキュメントルートの指定 ServerSignature On/Off/Email #サーバが生成するドキュメントフッターの設定 ディレクトリアクセスに関する設定 UserDir disabled #ユーザが公開するディレクトリの指定 disabled|enabled #UserDir public_html DirectoryIndex index.html index.html.var #インデックスファイルの指定 *.varファイルを利用する事でブラウザの指定する言語に併せたページを表示する事が可能です ログに関する設定 HostnameLookups Off #ホスト名解決の設定 アクセスログに記録する際、クライアントのIPアドレスから,DNSに問い合わせて得られたホスト名で記録するかを指定。 On|Off|Double #EnableMMAP off|on #メモリマッピングの設定 #EnableSendfile off|on #Sendfileの設定 エラーログに関する設定 ErrorLog logs/error_log LogLevel warn|emeg|alert|crit|error|warn|notice|info|debug アクセスログに関する設定 combined(複合型),common(基本型),referer(REFEREおよび、AGENTのみ) LogFormat "%h %l %u %t \"%r\" % s %b \"%{Referer}i\" \"%{User-Agent}i\"" combined LogFormat "%h %l %u %t \"%r\" % s %b" common LogFormat "%{Referer}i - %U" referer LogFormat "%{User-agent}i" agent #LogFormat "%h %l %u %t \"%r\" % s %b \"%{Referer}i\" \"%{User-Agent}i\" %I %O" combinedio #CustomLog logs/access_log common #CustomLog logs/referer_log referer #CustomLog logs/agent_log agent CustomLog logs/access_log combined エイリアスの設定 Alias /icons/ "/var/www/icons/" #エイリアスの指定 Directory "/var/www/icons" Options Indexes MultiViews FollowSymLinks AllowOverride None Order allow,deny Allow from all /Directory IfModule mod_dav_fs.c # Location of the WebDAV lock database. DAVLockDB /var/lib/dav/lockdb /IfModule ScriptAlias /cgi-bin/ "/var/www/cgi-bin/" #スクリプトエイリアスの指定 Directory "/var/www/cgi-bin" AllowOverride None Options None Order allow,deny Allow from all /Directory IndexOptions FancyIndexing VersionSort NameWidth=* HTMLTable Charset=UTF-8 #インデックス表示の書式設定 アイコン情報の指定 AddIconByEncoding (CMP,/icons/compressed.gif) x-compress x-gzip AddIconByType (TXT,/icons/text.gif) text/* AddIconByType (IMG,/icons/image2.gif) image/* AddIconByType (SND,/icons/sound2.gif) audio/* AddIconByType (VID,/icons/movie.gif) video/* 挿入ファイルの指定 ReadmeName README.html HeaderName HEADER.html 無視するファイルの指定 IndexIgnore .??* *~ *# HEADER* README* RCS CVS *,v *,t MIME言語タイプとサフィックスの対応付け AddLanguage ca .ca AddLanguage cs .cz .cs LanguagePriority en ca cs da de el eo es et fr he hr it ja ko ltz nl nn no pl pt pt-BR ru sv zh-CN zh-TW ForceLanguagePriority Prefer Fallback 文字コードとサッフィクスの対応付け AddDefaultCharset UTF-8 MIMEタイプとサフィックスの対応付け #AddType application/x-tar .tgz ハンドラとサフィックスの対応付け #AddHandler cgi-script .cgi サーバ応答のフィルタの対応付け AddOutputFilter INCLUDES .shtml エラードキュメントの設定 IfModule mod_negotiation.c IfModule mod_include.c Directory "/var/www/error" AllowOverride None Options IncludesNoExec AddOutputFilter Includes html AddHandler type-map var Order allow,deny Allow from all LanguagePriority en es de fr ForceLanguagePriority Prefer Fallback /Directory # ErrorDocument 400 /error/HTTP_BAD_REQUEST.html.var # ErrorDocument 401 /error/HTTP_UNAUTHORIZED.html.var # ErrorDocument 403 /error/HTTP_FORBIDDEN.html.var /IfModule /IfModule アクセス制御に関する設定 Directory / #ディレクトリ単位のアクセス制御 Options FollowSymLinks #制御オプション AllowOverride All Deny from All /Directory Directory "/var/www/html" Options Indexes FollowSymLinks AllowOverride All Order allow,deny Allow from all /Directory Options None 全て無効にする All 全て有効にする ExecCGI CGIプログラムの実行を許可する FollowSymLinks シンボリックリンクがあるとき、それを辿る事を許可する Includes SSIを許可する IncludesNOEXEC SSIを許可するが、#exec,#cmd,#includeによるプログラムの実行は禁止する Indexes ディレクトリインデックスの作成を許可する MultiViews Content negotiated MultiViewsを許可する SymLinksOwnerMatch シンボリックリンクとリンク先が同じ所有車である場合のみ、それを辿る事を許可する AllowOverride None オーバライドを無効 All すべて有効 AuthConfig 認証に関するディレクティブを有効にする。対象のディレクティブは、AuthDBMUserFile,AuthDBMGroupFile,AuthGroupFile,AuthName,AuthTypeなど FileInfo ドキュメントタイプを指定するディレクティブを有効にする。 Indexes ディレクトリインデックスを制御するディレクティブを有効にする Limit アクセス制御を行うディレクティブを有効にする Options 機能を制御するディレクティブを有効にする
https://w.atwiki.jp/koshin_e/pages/33.html
Cos’è il KOSHIN-KO? Koshin-Ko è un’usanza tradizionale giapponese. Secondo la dottrina del Taoismo, che ebbe origine in Cina, l’essere umano ha tre bachi nel corpo uno nella testa, un altro negli organi interni ed un terzo nella parte inferiore del corpo. Questi bachi si chiamano SAN SHI. Si ritiene che questi SAN SHI causino mal di testa, mal di stomaco ed altri malanni, ma non solo, si pensa che essi escano dal nostro corpo nella notte del KOSHIN. In questa notte, che ha un ciclo di 60 notti, questi SAN SHI riferiscono le nostre cattive azioni al dio TENTEI. TENTEI, il dio che si ritiene presieda sulla nostra vita, decide la durata della nostra vita in base alle informazioni che riceve dai SAN SHI. Per evitare che i SAN SHI riferiscano i nostri atti al dio, bisogna rimanere svegli tutta la notte per cercare di vedere questi bachi, affinché non escano dai nostri corpi ciò si chiama il KOSHIN KO. Il Koshin Ko fu trasmesso dalla Cina durante l’ottavo secolo (era Nara) e veniva svolto dai nobili durante il dodicesimo secolo (era Heia). Dal 17esimo e per tutto il 19esimo secolo (era Edo) questa usanza si legò al Buddismo e allo Scintoismo e si diffuse tra il popolo in generale. Oggigiorno i resti del Koshin si possono vedere nei tumuli e nei campanili che si trovano in tutto il Giappone. TOKYO KOSHINDO è un gruppo di persone che pratica il Koshin Ko e sostiene la sua rinascita. TOKYO KOSHINDO Indirizzo Mukoujima 3-7-4 Sumida-ku, Tokyo Sito Web www.koshindo.com
https://w.atwiki.jp/touhoukashi/pages/5213.html
【登録タグ B EastNewSound ネクロファンタジア 曲 東方幻奏響UROBOROS弐 ～fAIRYtAILoVERdRIVE～ 紫咲ほたる】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/4166.html
【登録タグ FELT M Rebirth Story Ⅲ Reincarnation 曲 舞花】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/mrfrtech/pages/33.html
Market Analysis The global Online Sports Betting Market is predicted to increase at a cagr of 13.6%, from USD 24,988.4 million in 2019 to USD 59,530.7 million by the forecast period. The global online sports betting market is expanding due to increased demand for sports, which is essential for reaching development goals. In a number of geographical, cultural, and political contexts, sport can play an important role in promoting societal integration and economic prosperity. Sports impact on social capital, culture, trust, and crime can help with increasing capital accumulation, thereby improving and strengthening market functioning. All these outcomes further reinforce each other to grow the market. Furthermore, participating in sports allows players to live longer and healthier lives. The global E-Sports market has been expanding in recent years, with an increasing number of players participating as competitors or spectators. The modern sports-only websites are now growing in popularity just like the traditional sports betting website, now offer chances to bet on events and tournaments, similar to how many people bet on E-Sports. The major growth factor of such market share would be the increasing sports demand and rising demand for e-Sports activities. The online sports betting market is seeing an increase in growth due to rising digital innovation. However, due to Government prohibitions, some nations are expected to put some restrain in the global market expansion. Then again, the enhancement of digital innovation through advanced programming and technological use can bring more opportunities in the global market due to high-quality games. COVID-19 Impact on the Worldwide Online Sports Betting Market The spread of new coronavirus has impacted numerous industries, including manufacturing, from raw material production to final product distribution. On the other hand, in order to track the spread of a deadly virus, governments around the world imposed restrictions on a variety of sporting activities. Scheduled events including the English Premier League, Serie A in Italy, La Liga in Spain, Super Lig in Turkey, and Major League Soccer in the United States were canceled or postponed due to a rise in the number of COVID-19 cases globally. Some organizations prefer to reschedule events in order to decrease expenditure losses, such as the Belgian Cup final, which was initially slated for March 2020 but was moved to August 1st. Another case in point is the African Nations Championship 2020 competition, which was scheduled to take place in Cameroon in April 2020 but has been postponed until further notice. Since governments imposed lockdowns to contain and monitor the spread of the fatal virus, a sizable percentage of the workforce has been instructed to remain indoors, resulting in a surge in demand for virtual entertainment and media. Microsoft, for instance, announced a large rise in multiplayer participation in March and April 2020. Furthermore, when physical venues stayed closed to prevent the spread of the virus, online casino gaming and fantasy sports betting grew by more than 30%. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/8641 Market Segmentation The global online sports betting market is classified into various segments based on sports type, by type, by application. Moreover, on the basis of sports type, the online sports betting market is bifurcated into football, cricket, tennis, baseball, volleyball, basketball, hockey, horse riding, boxing, golf, racing, and many others. Further, the football segment is sub-segments into FIFA, Premier League, UEA/EURO, and others. The market analysis report suggests that the FIFA segment has registered for acquiring the largest market value in the preview period and increasing at a CAGR of 125 in the forecast period. According to the by Type segment, the online sports betting market is classified into line-in-play, fixed old betting, daily fantasy, e-sports, exchange betting, spread betting, and others. The online sports betting market is again segregated into web-based and mobile-based based on the application segment. Regional Analysis According to the global market analysis report, the regional bifurcation of the online sports betting market includes North America, Europe, Asia-Pacific, and the rest of the world. Moreover, the market study also states that Europe has dominated the online sports betting market in the preview years and is expected to grow at a CAGR of 12.1%. The driving factor would be the increasing zeal of watching sports with the advancement of innovative game formats and gaming modes. However, during the forecast period, the North American market is predicted to grow at the fastest rate of 15.8%. Key Players Notable players in the worldwide online sports betting market include 888 Holdings PLC (UK), Flutter Entertainment PLC (UK), Bet365 Group Ltd (UK), Fortuna Entertainment Group (Netherlands), Churchill Downs Incorporated (US), Entain PLC (UK), DraftKings (US), Betsson AB (Sweden), Betfred Ltd (UK), Webis Holdings PLC (Isle of Man), Kindred Group PLC (Malta), Sportech PLC (UK), BetAmerica (US), HKJC Football Betting Limited (Hong Kong), and Megapari (Cyprus). Industry Updates In April 2019, Betfred made the debut of its American Sports betting platform at Betting on Sports America 2019 at Meadowlands, New Jersey. In January 2022, Inspired, one of the leading B2B gaming content providers, announced to have acquired Sportech Lotteries, Inc., a subsidiary of Sportech PLC. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/online-gambling-market-8641 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report** Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) Voice Assistant Market** https //mrfrinformation.tistory.com/615 Network-Attached Storage Market** https //telescope.ac/information-technology-Lc1XMRDqL/5WlKY9Kx4 About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #report #share #digital #gnews Plugin Error キーワードを入力してください。 #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment
https://w.atwiki.jp/japanesehiphop/pages/56.html
・ANALOG [ALBUM] 1990 CHECK YOUR MIKE 1992 CHECK YOUR MIKE(promo) 1993 OMNIBUS #1 +玄人はだし+(promo) 1995 悪名 THE BEST OF JAPANESE HIP HOP THE BEST OF JAPANESE HIP HOP VOL.2 THE BEST OF JAPANESE HIP HOP VOL.3(promo) 1996 THE BEST OF JAPANESE DJ VOL.1 THE BEST OF JAPANESE HIP HOP VOL.5 THE BEST OF JAPANESE HIP HOP VOL.4 THE BEST OF JAPANESE DJ VOL.2 THE BEST OF JAPANESE HIP HOP VOL.6 THE BEST OF JAPANESE HIP HOP VOL.7 さんピンCAMP Instrumental(promo) 1997 悪名 Instrumental Acapella THE BEST OF JAPANESE DJ VOL.3 THE BEST OF JAPANESE HIP HOP VOL.8 2000 MAD MAXX WiRED 2-STILL IN THE GROOVE-(white) WiRED 2-STILL IN THE GROOVE- 2002 凶気の桜 ORIGINAL SOUNDTRACK Instrumental(promo) 凶気の桜 ORIGINAL SOUNDTRACK 2011 THE VISIONARIES 2020 Oto No Wa(Selected Sounds of Japan 1988-2018) [SINGLE] 1995 状態のハイウェイ ／ MERRY-GO-ROUND - TOKYO NO.1 SOUL SET - PSYCHEDELIX 1997 FLAVA RECORDS SAMPLE PROMO(promo) - OZROSAURUS - Sugar Soul 1998 'hood SAMPLER - V.A. VIBE - SOUL SCREAM - JIGMASTAS SOUTHPAWFLOW - DESPERADO - OZROSAURUS 1999 DANCEHALL CHECKER(promo type A) DANCEHALL CHECKER(promo type B) DANCEHALL CHECKER DANCEHALL CHECKER(box) DOH KOH HOH / OHYES! - DOHZI-T KOHEI - INNOSENCE 2000 BAY SQUAD 001 BAY SQUAD 002 BAY SQUAD 003 BAY SQUAD 004 PLAYER'S DELIGHT(promo) DRUM,PROGRAM,ANAGRAM EP(promo)(white) DRUM,PROGRAM,ANAGRAM EP(promo) LYRICAL TERRORISTS - SUBSTANTIAL - L UNIVERSE JAKU-NEN - ASA - DAIKEI 2002 HARLEM VER.1.0 0002(promo) HARLEM VER.1.7 0011 2004 HARLEM VER.3.0 ANALOG1 HARLEM VER.3.0 ANALOG2 ナンパスタジアム / VITAL CHILDREN PT.2 - SHIBA-YANKEE - LIKKLE MAI BABY DANCER／星降る夜 - KREVA - KOHEY YAGI WHAT'S UP!(dubplate) 2005 BREAKS BEATS DISNEY(BEAUTY THE BEAST "BEATS AND THE BEAST" E.P.) PRIMAL WALK,SOURCE,I JUDGE(white) - O.N.O - JUN-GOLD PRIMAL WALK,SOURCE,I JUDGE - O.N.O - JUN-GOLD 2006 手を出すな！ - GAKU-MC - 桜井和寿 暴言(promo) 2009 つつみ込むように… - DJ WATARAI - COMA-CHI 2013 UNDER THRONE jojnt DA BEATMINERZ CRAWL EP1 UNDER THRONE jojnt DA BEATMINERZ CRAWL EP2 2014 MALTINE GIRLS WAVE EP EyeSheTell BEATS 'N' LOW LIFE(promo) - PIGEONDUST - BUGSEED スペース★ダンディ DO THE RIGHT THING GET FUNKY／SHADOW OF SUMMER - DJ FUMIYA - DORIAN 2015 A RAPPER GOT KILLED AGAIN - dj honda - BLAHRMY SOUND OF FELICITY - カジヒデキ × やけのはら 7SPACE - MOROHA - STERUSS UNFINISHED CONNECTION - dj honda - B.I.G. JOE I REP - DABO,ANARCHY,KREVA UMUI - RITTO - FReECOol RELIEF EP - NAGAN SERVER MANTIS 2016 U BELONG TO ME／DON’T LEAVE ME - meg - SWEEP F.L.A.Me - DINARY DELTA FORCE×MARCO POLO 2017 BORDER 7INCH BOX SET - B.D.,MR.ITAGAKI a.k.a. ITA-CHO
https://w.atwiki.jp/dailycbd/pages/10.html
Best Budget CBD Oils For Dogs With Arthritis? This full spectrum, all natural CBD oils for pets is extremely cost effective and affordable. Check it out. Our dogs have the same needs as we do. They need the same nutrition and pain relief. Arthritis is one of the most common conditions in dogs. The dogs are also at risk with joint and arthritis issues. From hip dysplasia to arthritis, hip dysplasia to impingement from the surgical instruments. From heatstroke to joint trauma. From anesthetic to steroid injection. It s unfortunate that dogs are put through so much pain and suffer so much anxiety and depression. It seems they can t move or perform the way they do when young. Some breeds even end up paralyzed. There are breeds of dogs and puppies that are predisposed to developing certain types of arthritis. And some breeds of dogs are just genetically vulnerable to this painful disease. Best CBD for Dogs With Joint Pain and Glaucoma CBD is not a cure all and does not magically alleviate the pain. While CBD is an extremely strong anti-inflammatory, it has not been proven clinically to be effective in reducing arthritis symptoms in all cases. Research studies are currently being conducted and the focus remains to investigate the benefits of CBD for dogs, specifically with joint and inflammation-related pain. Glaucoma is a dangerous disease of the eye that can cause blindness if not treated quickly. Glaucoma is often associated with a negative emotional state and stressful life events such as the death of a loved one or divorce. It can also be caused by genetics, and recent studies have shown that genetic predisposition can increase the likelihood of developing glaucoma. Since CBD has been shown to be effective in reducing anxiety and depression, the medication may be a good alternative for older dogs and puppies with glaucoma. The best oils for pets are safe and carefully made. However, like anything else that your pet comes into contact with, there is always a chance of an allergic reaction or irritation. It s important to follow directions on the label and to wash all the ingredients thoroughly. Also, it s important to make sure you know the right dose to give your dog. Consult your veterinarian for guidelines. Glaucoma and arthritis are closely linked. If you want to prevent the onset of the disease or lessen the pain of it, a safe, natural supplement such as CBD for dogs with arthritis may be just what you need. Glaucoma causes a lot of pain not just for the dog, but for the patient as well. An effective treatment could mean the difference between normal, happy life and extreme discomfort, leaving both dogs and patients behind in pain. When looking for the best oil for dogs with arthritis, look for companies that focus on natural products. Glucosamine Sulfate and Chondroitin Sulfate are commonly used ingredients in topical treatments for this condition. Since these ingredients are derived from plant sources, they are considered completely safe. The best oils for dogs with arthritis contain only natural ingredients and no synthetics. This type of treatment allows your pet to live a long, healthy, pain-free life, without any worries about side effects. Source https //dailycbd.com/en/best-cbd/oil-for-dogs/arthritis/